Tag: scott martin productions

Intention in Cases of Assisted Dying – Dr John Bodkin Adams

Guest blog by David Holding, Author of books on Killer Doctors…

Reliance on the existence of medical privilege is attributed to Dr John Bodkin Adams who when arrested in 1956 on suspicion of murder arising from his medical practice, is said to have protested: “She wanted to die, that cannot be murder. It is impossible to accuse a doctor”. Unfortunately for him, his opinion was erroneous and he was prosecuted, albeit unsuccessfully. However, the legal importance of the case is that it endorsed the validity of the ethical doctrine of ‘Double Effect’ in English law. Dr Adams prescribed large and rapidly increasing doses of opiates to relieve disturbed sleep in a number of elderly care-home residents, many of whom had made bequests to the doctor in their will.

What was not explored at the time of the trial or since, is whether or not a GP can act with ‘Double Intent’ as distinct from ‘Double Effect’? In the general context of the administration of opiates to patients with a terminal illness, it is possible that in some instances, the GP does intend to hasten death as well as relieve symptoms.

This crucial importance of ‘intention’ was re-emphasised in the 1992 trial of R v Cox (12 BMLR 38). Consultant rheumatologist Dr Nigel Cox had managed the severe destructive arthritis of Mrs Lilian Boyes for 17 years and had an excellent relationship with both her and her family. She was in severe and constant pain which resisted even the opiates, and surrounded by her family, she begged and pleaded for assistance to die. Without discussing his decision with the nursing staff, Dr Cox administered intravenous potassium chloride to Mrs Boyes who subsequently died.

Dr Cox was charged with the attempted murder of Mrs Boyes on 16 August 1991 and stood trial in September 1992. The prosecution led evidence that, injected in that manner, and in the quantity, the drug had no therapeutic property, and that the accused intended in so administering it, to end the life of his patient. The defence argued that the primary purpose of the accused was to relieve the pain of the dying patient, and therefore, that there was no intention to kill the patient.

Mrs Boyes’s body was cremated and, therefore, it was no longer possible to prove ‘beyond reasonable doubt’ that the sick woman had died as a result of the Doctor’s actions. As a result, the lesser charge of ‘attempted murder’ was brought. This introduced the legal advantage of a sentence amenable to judicial discretion. Dr Cox was convicted but given only a one year suspended sentence. Following a disciplinary hearing by the General Medical Council, (GMC) he was allowed to continue in practice subject to some retraining.

The distinction between the cases of Dr Bodkin Adams and Dr Cox, rested on ‘intention’. Both were motivated to act by the benevolent wish to relieve symptoms, but Dr Cox intended to kill, if only to secure pain relief. Dr Bodkin Adams intended only to relieve distress. Criminal offences are defined in terms of ‘act’ and ‘intent’. Motive can be an exonerating factor, as it was for Dr Cox, but only influences the sentence handed down.

#davidholding #davidholdingtalks #scottmartinproductions #doctorsinthedock #johnbodkinadams #killerdoctor

A Lancashire Witch’s Cottage?

A blog by David Holding, author of ‘The Pendle Witch Trials of 1612’.

An interesting article appeared in the Lancashire press in December 2011 under the headline:

“WITCH’S COTTAGE UNEARTHED NEAR PENDLE HILL, LANCASHIRE”

Engineers have said they were stunned to unearth a 17th century cottage, complete with a cat skeleton, during a construction project in Lancashire. The cottage was discovered near Lower Black Moss reservoir in the village of Barley, in the shadow of Pendle Hill. Archaeologists brought in by United Utilities to survey the area, found the building under a grass mound. Historians are now speculating that the well-preserved cottage could have belonged to one of the Pendle Witches. The building contained a sealed room with the bones of the cat bricked into the wall. It is believed that the cat was buried alive to protect the cottage’s inhabitants from evil spirits

Carl Sanders, United Utilities’ project manager said ”It’s not often you come across a fairy-tale cottage, complete with witch’s cat. The building is in remarkable condition. You can walk through it and get a real sense that you are seeing into the past. Pendle Hill has a real aura about it, and it’s hard not to be affected by the place”.

United Utilities routinely bring in experts before turning the topsoil in areas believed to have archaeological significance. A spokesman for NP Archaeology said, “It’s like discovering your own little Pompeii. As soon as we started digging, we found the tops of doors, and we knew we were on to something special”.

davidholdingtalks #scottmartinproductions #davidholding #pendlewitches #thependlewitchtrialsof1612 #pendlewitch

Winter Hill – Life and Trade

Blog by David Holding, author of “Murder in the Heather” The Winter Hill Murder of 1838″.

Travelling up the Winter Hill road towards the TV station, you pass over a ‘cattle grid’ in the road. Then the road bends to the left, with a metal crash barrier on the right side of the road.

This is the area of Winter Hill known locally as “Hole Bottom”. From the early 19th century, this was the location of a thriving small working community.

Just below the barrier stood a Brick and Tile Works, surrounded by several coal pits. Further up the road and on the left side stood a row of terraced cottages known as “Five Houses”. One of these doubled as an Ale House.
The works, cottages, and coal-pits were all owned by a William Garbutt, who features prominently in my Winter Hill Murder book.

These cottages appear on old maps of the area up to 1894 when the first Survey maps were produced. This would suggest that by 1894 the cottages and tile works had been demolished.

An interesting article has come to light on searching the Bolton Chronicle dated 19th February, 1849. This carries the following advert:

“TO BE LET – an extensive and well-established Fire Brick and Tile Works situated at Five Houses on Horwich Moor, the present owner being desirous of retiring from the business. The works are complete with Steam Engine, Grinding and Crushing apparatus, stoves, dry-houses, ovens, moulds and every convenience for carry out the business. The clay and coal are of superior quality and are got on the premises. Any person taking the works can be accommodated with five or six acres of land, and a few cottages adjoining. For particulars, apply to Mr William Garbutt at the premises, or on Friday, at the King’s Arms and Four Horse Shoes, Bolton”.

What this information does show is that Winter Hill was a thriving centre of local industry for most of the 19th century, and part of the common ‘domestic system’ of industry of that period.

Regarding ‘Murder in the Heather’:

This book is a unique account of a brutal murder which occurred on the summit of Winter Hill in Lancashire in 1838. The account draws on both contemporary media reports and court transcripts, and examines the events leading up to the killing of a 21-year old packman. It details the proceedings of the trial of the only suspect in the case. The work concludes with a re-assessment of the case in the light of modern forensic investigation. The reader is invited to reach their own ‘verdict’ based on the evidence provided.

A search of the 1881 Census for the area reveals that two families were occupying the Five Houses at that time, in addition to Mr Garbutt. One family, the Thompsons, consisted of husband and wife, together with 6 children, aged from 19 to 6. The father and the two eldest sons were employed at the Tile Works, and described as Terra Cotta Workers. Another family, the Hampsons, also occupied the cottages, the father and son both employed at the works. It can only be assumed that a new tenant had taken possession of the Brick and Tile works possibly around 1850 and carried on the business until the early 1890s. After that time, it is likely that both the works and cottages were demolished.

davidholdingtalks #davidholding #winterhill #horwich #scottmartinproductions

Interview with Parents who Made their Daughter’s Dream Come True

Thirty years after Penny Taylor’s death, Judith Taylor has published a book of her life, and it’s a beautiful tribute to a wonderful young woman. Crammed full of art, letters, stories, poems, photographs and memories.

The book is available here.
Lesley at Scott Martin Productions was also fortunate to chat to Judith and John Taylor, and has put together a little film of that interview.

#cysticfibrosis #transplantation #scottmartinproductions

The Role of a Forensic Anthropologist, by David Holding (Guest Blog)

David Holding, my colleague at Scott Martin Productions, is now blogging on subjects related to his non-fiction publications – see them here.

The role a Forensic Anthropologist plays in a death investigation is crucial to the field of forensic science as a whole. Anthropologists understand the forms and variations of various forms of skeletal properties, and apply their knowledge to their work in order to obtain reasonable conclusions. The main focus of their work is to process crime scenes, examine and process remains, develop a biological profile, compile appropriate documentation and testify in court. The anthropologist must be able to differentiate between human and nonhuman remains. The Forensic Anthropologist offers unknown deceased individuals an identity by developing a biological profile to portray their physical characteristics. There are various contributing factors that help to establish an individual’s age, sex and stature. To determine the age of the remains, the anthropologist must apply their knowledge of skeletal and dental development to their conclusions. Ossification centres in bones help to determine age in individuals. Ascertaining age also depends on the dental development of the subject. Odontological identification of the individual based on dental records assist in establishing the age range of the individual. The determination of biological sex of a subject can be determined by examining the difference between male and female pelvises, primarily due to the specific differences in size and shape..

Establishing the living stature of a subject, the most reliable results are obtained from many formulae that can be used. These are based on the bone lengths of the lower limbs. The Forensic Anthropologist contributes to the outcome of a death investigation by providing law enforcement agencies with answers and conclusions, through their knowledge of the human skeleton. The evidence that a Forensic Anthropologist presents to a coroner or medical examiner is crucial in understanding the cause of death in an investigation based on an examination of the skeletal remains.

#DavidHolding #Author #NonFiction #ScottMartinProductions #Forensics

http://www.scottmartinproductions.com/post/all-about-forensic-anthropologists

Read This Book: NO MATTER WHAT! ***** FIVE STARS

Read this book ‘No Matter What‘ by Lesley Atherton

Review by Guest Blogger, Lauren O’Neill

No Matter What‘ is a short tale told from the point of view of Jayne Smith, a ghost writer who loves her job. She enjoyed the challenge of trying to write a book, autobiography or memoir in a way that it would seem her clients had written the books themselves. That is, until a certain supermodel named Hawk was sent her way, bringing not only stress and trouble along with him but also a past that Jayne had long since left behind.

Image: Pngtree

Lesley Atherton does a really good job of drawing you in and keeping you there and interested until the very end. Usually for me, short stories are just something to read to pass the time but with ‘No Matter What‘, I found myself enthralled with every word.

Even for a short story, each chapter flowed easily from one to another, I never found it difficult to get to the next page, never got stuck on a paragraph and never struggled to find the motivation to continue.

Jayne Smith, the protagonist of the story, is a woman who doesn’t find the need to impress or be a different person just to appease her peers and clients. Throughout ‘No Matter What’, I noticed how I didn’t agree with everything she believed but I still wanted her to come out victorious, be it ignoring the “supermodel version of Christopher Ecclestone” that was Hawk or being able to one day get the recognition she truly deserved for her hard work.

Without giving too much away, I saw myself mentally making note of every word she wrote, putting it away for later. This may just be a short fiction story but within it, you’ll find many things you could put to use in your life. As I started reading, I had somewhat of an idea in my head on what ‘No Matter What‘ was going to be about. Boy was I wrong!

For a 64 page story, there were so many twists and turns that kept me guessing and I have to admit, I never would have predicted what was going to happen and I think that’s quite a feat.

Illustration – quick sketch by a young Morrigan Atherton-Forshaw

Overall, I thoroughly enjoyed ‘No Matter What’: the story was interesting, gripping and even quite helpful in some places. It kept me intrigued and excited to keep on reading to find out what happened to Jayne and if Hawk had caused any more trouble for the poor woman.

I would definitely recommend ‘No Matter What‘ to you if you enjoy a quick little fix of humour, excitement, mysterious supermodels and a ghost writer with more to her than she lets on, if you enjoy all that, then this is the story for you.

See also ‘Conflict Management’ by Meredith Schumann, Lesley Atherton’s new author name.

5/5 stars

#lesleyfridayreads, #lesleyatherton, #scottmartinproductions, #laurenoneill, #nomatterwhat, #shortnovel

Interview with Lesley Atherton about her book, ‘Past Present Tense’

Interview with Lesley Atherton re: ‘Past Present Tense’

A: This book is about hoarding and nastiness as well as being about family and relationships. It’s an obvious question, but why on earth would anyone want to write (or read) about hoarding?!

L: Well, it’s down to my own personality really. I’m a natural acquirer of unnecessary items but have always managed to stop short of becoming a hoarder. I’m more of a clutterer. Give me a wall and I will put things on it.
Give me a shelf and I’ll fill it. I wish I wasn’t like this, but I am.
Waste Not, Want Not. Make Do and Mend.
So this led me to begin watching programmes about hoarding and getting some deep compassion and understanding of the sufferers as well as those who must live with a mess not of their making.

The main character of ‘Past Present Tense’ is Tanya, who discovers that the dad she thought was dead is actually alive, and is buried under his own clutter in his own hoarded house. I was able to put myself in her position. I was able to also put myself in his position. I hope that’s come over in the writing. There is so much misunderstanding of the reasons behind hoarding. I know that one of the fallacies is that the people just need to get up off their bums and start to clean.

But for the majority of hoarders, it isn’t laziness that causes the collections and clutter, it is more a feeling of connection to the items, and to the memories and feelings those items hold. There are elements of anthropomorphism too. Hoarders don’t just feel responsible for the items they own, but also feel compassionate towards them and often their relationships with the objects are more meaningful than many of the relationships they have with other humans.

Like I say, I’m not a hoarder, but I do understand where the hoarding motivation comes from. I currently own 76 musical instruments. I play only 3 of them regularly, and play none of them daily. Why do I not sell them? Because I like them and enjoy the ownership of them. I like them to be there when I’m ready for them. And there are so many other reasons too: creativity, appreciation of beauty, appreciation of usefulness, and the desire to be able to entertain myself!

I know I’ll never be a minimalist. Blank spaces irritate me. But I really do need to have far less stuff. I hoped that writing about hoarding in this way might interest those people who live with hoarding, either their own or that of others.

A: Is the writing based on the work of anyone else in particular?

L: No. Just me, though one of my reviewers felt that the inner dialogues of the early chapters were reminiscent of Sartre’s ‘Nausea’. It’s odd really, but in recent years my reading has definitely taken back place to my writing. On the plus side, it means I’m not overly influenced by new books I’m reading, but on the negative side, I’m also behind the times. But that works for me. I don’t mind being retro. I can’t imagine being anything else.

A: That’s your personality?

L: It is. I don’t really do trends. I am who I am.

A: I understand you’re working on another book at the moment.

L: Yes, I’m finishing the manuscript for my novel, ‘The Waggon’. It requires completion before September 2019 as I will be submitting it as the final assessment for my Masters Degree in Creative Writing. It’s currently at the 65,000 word stage, but there’s quite a way still to go. After that, I’m going to be starting on a book about teenage Aspergers, and will continue with my publication of other peoples’ work through Scott Martin Productions. I have a few ideas for novelettes and many ideas for short stories, and will also be working on my blog.

A: You’re unstoppable. Do you still have time to attend writing groups?

L: I do. Currently I go to two weekly groups, and two monthly groups. I also attend two monthly reading groups. Why do you ask?

A: I was just wondering if you still find them of use, now you’re published and have more writing experience. Isn’t it something you grow out of as time goes on and you know what you’re doing?

L: In my case, no. My Tuesday group, in particular, is like family. I don’t know what I’d do without them
socially, and they give me great confidence creatively too. My advice to anyone who wants to write, is to
engage with other interested souls online and in person. Once you get over the first feelings of fear at
sharing your work, it really is liberating!

A: I can see that. Thanks so much for answering my questions!

L: Thanks. It’s been fun 🙂